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The
Balkan Roulette
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CHARACTERS:
PETER, YU Army captain, a Serb
MARIO, YU Army captain, a Croat
JOVICA, YU Army MP sergeant
SAFET, YU Army MP
1st CROATIAN POLICEMAN (later ANTE)
2nd CROATIAN POLICEMAN (later IVAN)
MILOJICA, Peter’s neighbor
PHYSICIAN
MEDICAL NURSE
Living
room in a flat on the 4th floor of an apartment block in Pula,
rather stylishly but not exactly luxuriously furnished. A settee,
two armchairs, a small table and a sizeable chest of drawers
with a TV set on it, showing the end of broadcasting; a flowerpot
here and there in the corners.
Late
September 1991, round midnight.
Peter and Mario are seated at the table, an ashtray replete
with cigarette butts, a half-empty bottle of cognac and two
shot glasses in front of them. On the side, two pistols, one
Russian-made, the other Yugoslav-made. Peter in YU Army uniform,
Mario in civilian clothes. Both tipsy. Alarm siren is heard
in the distance.
PETER:
If I do decide to kill myself, how to do this ceremonious act?
By hanging? Taking tablets? With the gun? Hanging sounds like
a painstaking business, besides I’d need some help and there’s
no one around except you. But, being a Croat, you can never
understand it, so you’ll try and get yourself out of it somehow.
As for the tablets, they are sort of feminine. So that leaves
the gun as the right solution. Not a simple one though. If I
choose the gun, which one? The official one I’m still registered
with as serviceman, or my private hire-purchase acquisition
with some outstanding payments still due? Is it the right thing
to shoot myself with a gun not yet repaid? Then, should I do
it in my uniform or in civilian clothes? If in uniform, whether
in the one for festive occasions or in the army fatigue? If
in the festive, whether with all the medals on it, true not
very many of them, you know, those periodical ones, five-year,
ten-year, for this and that, or without any? Should I shoot
in the head or in the heart? The dilemma is, if you
shoot in the head, the temple, I mean, you can’t screw it, with
the heart you can never be sure, you can miss it, no matter
how carefully you aim at the middle of it. No, with the heart
you can never be sure about the outcome, even if you make the
best possible preps. Unbelievable how many tiny little things
you must think about, although, on the face of it, the very
act looks as simple as could be, doesn’t it?
MARIO:
You know what? You Serbs are up shit creek, so that you can’t
even kill yourself without making a fuss about it. PETER:
Fuck it, it ain’t that simple. You do it once in a lifetime,
and for the last time for that matter, so it shouldn’t be done
in a slovenly way. It should be done with some dignity, in line
with that saying: The way I lived, the way I die. Finally, what
is also at stake is the Serb military tradition. My grandpa
fought on the Thessaloniki front for the Serb cause. My father
was among the first in World War II, true, on the wrong side,
with the chetniks, but then, when realizing that they were losing,
he got himself transferred to the partisans, thanks to two good
cronies covering him, and reached the rank of captain. If credited
for his fights with the chetniks, he may have well become a
general. Anyway, he wound up as a liberator so it’s my turn
now. But, tell me, what the fuck should I fight for today? For
which ideal, for which state?
MARIO:
For none. The states come and go on the shoulders of fools such
as you and I, only that you and I are no more. There will be
states, with or without you. And the ideals? The first thing
you should be clear about is whether or not you truly share
them, then understand that they are supposed to enrich, not
destroy human lives. In the Balkans, however, there’s no ideal
without victims, no matter how noble it appears to be. Now it’s
up to you to decide whether you want to be victimized for ideals
other than yours, or you try and save your ass. After all, you
honorably served the state that gave you this uniform. But it’s
not your fault that the state no longer exists. And you also
reached the rank of captain, so the tradition is preserved.
PETER:
Well, you see, with the Serbs it’s not as simple as that. For
a Serb the state is number one, the family number two, then
honor, humanity and all the rest of it. Fuck the life without
your state. And without your family. It’s in our genes. In this
respect there is hardly any difference between me and my grandpa
the Thessaloniki fighter. Now, all of a sudden, I’m left without
a state, without a family. Is my life worth living any more?
So if I knock myself out, I’ll do it as a true Serb.
MARIO:
As a true idiot, that’s a big difference. Or, at least it seems
so. And yet, when I come to think about it…
PETER:
An idiot! Fine, maybe I am one, but please, can you explain
something to me? I came here about twenty years ago, I came
to stay in this place, I’m still sitting where I was sitting
yesterday, I’m putting on clothes the same I was putting on
yesterday, I’m doing what I was doing yesterday, but today I’ve
become an invader. So now you tell me, as my best man and my
friend, a half of our lives we’ve spent together, now you explain
to me how I’ve become an invader overnight without even having
moved my little finger. I haven’t attacked anybody, I haven’t
shot anybody, nor do I have any intention of doing anything
like it, but still, dammit, I’m an invader. How come?MARIO:
Hey, man, only this morning you were quite normal. Relatively.
As far as a Serb can be normal. Then about an hour ago you call
me to come, because you have to talk to somebody, and I find
you stoned, well, tipsy, to be more precise, with two guns on
the table and you start fucking me with questions that for hundreds
of years now the sufferers here have been trying to answer,
to no avail. Why have you turned into an invader? Probably because
it’s altogether normal in the Balkans to be an invader for a
time and a liberator for another time, without having to change
your profession, or your thoughts, or your residence. Only the
uniform.
PETER:
So the problem is the uniform? Then you, too, are an invader,
you, too, wear the same uniform.
MARIO:
Nope, I’ve shed mine.
PETER:
How?
MARIO:
No more military barracks. Finished. The career terminated. Got
away from them.
PETER:
Got away? But today we left work together.
MARIO:
I ain’t coming back there, a course of non-action I warmly recommend
to you, too. Buddy, our Army is no more. Gone to hell together
with the state. Now it’s time to save our heroic asses.
PETER:
So if I quit the barracks, neither I will be an invader any more?
MARIO:
And also shed your uniform, just in case. It’s not wise nowadays
to walk about dressed like this.
PETER:
Fuck an invader who stops being one by simply not turning up for
work. And fuck the work where today you’re a regular serviceman
of this country and tomorrow an aggressor against this same country.
And fuck the country with such an army.
MARIO:
That’s exactly what I’m telling you. «Gone with the wind». All
what they taught us, what we taught others, all our years, all
gone with the wind. But leave that aggressor stuff, buddy, tell
me about your Anna, your kids. Where have they gone? It’s the
fifth time I’m asking you that, but you just keep harping on the
Serbs, invaders, death...
PETER:
With good reason, too, because they’ve made me lose my wife and
kids. Ah, Anna, Anna (sighs)! She’s abandoned me, yes, man. Together
with the kids. A package deal. It’s becoming a sort of fashion
trend in the free part of Croatia, as your people call it. Getting
rid of the Serb elements in a crash-course procedure, even if
the elements are husbands and fathers.
MARIO:
You are exaggerating. You know Anna loves you and the kids are
crazy about you. Don’t give me that crap. It’s surely something
short-lived, temporary.
PETER:
Temporary? How short, how long? Until the Serbs are again allowed
to pretend being normal husbands and fathers in this country?
Why the hell didn’t they tell us fifteen or so years ago that
you mustn’t marry a Croat girl if you are a Serb and an army officer,
today we wouldn’t have any problems. How can we split the kids?
By dubbing one a Serb, the other a Croat, so each can pick up
his or her own? Who will get the boy, and who will get the girl?
Now both sides need males, but, on the other hand, females can
give birth to new heroes, so how can you make a wise choice? Besides,
the boy may take after his crazy father and fall for a maiden
with wrong blood corpuscles, and there you are, all hell breaks
loose. That’s why my wife, always on her guard as most women are,
picked up both kids and made a bolt for it, back to her parents
in Dalmatia. They’ve already declared me missing in action, so
as not to be pestered with unpleasant questions. The times are
not good for having a Serb as a son-in-law, are they? Burying
him is the easiest way out. You know what’s the one thing bothering
me? Does the saying “Nothing but good about the dead” also apply
to me as a Serb? Or is only a dead Serb a good Serb? Have they
taken my life in an absurd traffic accident or against the wall
of a military barrack when caught fleeing from the invaders to
my family? And then the family, having received the news about
the tragic end of their husband and father, ran for life to join
their folks. That would be the likeliest scenario, wouldn’t it?
MARIO:
Buddy, you’ve gone nuts completely. Calm down, we’ll fix it somehow.
Even if they’ve declared you dead, it’s only on a temporary basis.
PETER:
How can I be dead on a temporary basis? How will they reanimate
me later on?
MARIO:
You’ll resurrect somehow.
PETER:
How, come? Do I look like Jesus to you?
MARIO:
In this army uniform you look more like those who stood guard
by the cross. But let’s leave Jesus and the uniform, we’ll think
up something. Something about you having been mistaken for another
person, which happens quite often nowadays. The main thing is
that Anna hasn’t gone far away – only as near as her parental
home in Dalmatia. She’ll be back and everything will be all right
again.
PETER:
Hey, man! Dalmatia today is further away than America yesterday.
At least for the likes of me. She won’t be back, surely not soon
enough. When they come back, if they ever come back, I won’t be
around one way or the other. We both know that and I haven’t called
you tonight to comfort me, I just wanted to have a friend at my
side who will understand me. You remember, whenever we had a hard
time we always ran to each other, so why not now at the end of
the road? You know, at my core I am a coward.
MARIO:
Now you’re a coward? How come?
PETER:
‘Cause I have no guts to shoot myself all alone in a fourth floor
desert. Not that I didn’t want to, I did – but I just can’t. Who
else but you can I call? Come on, man, pour some more booze and
we can have a toast or two more. I’m going to kill myself tonight.
MARIO:
You will. Tumble down dead from booze, together with me, lucky
me.
PETER:
If there is a thing like reincarnation, I’ll ask the Almighty
to make me in my next life a parrot somewhere in the Amazon rainforests,
anything but again a specimen of homo sapiens balcanicus. What
do you think, is suicide an act of courage or an act of desperation?
MARIO:
Courage will always be accompanied by despair. But once courage
is gone, only despair is left.
PETER:
Can you Croats ever give a straightforward answer to a straightforward
question?
MARIO:
Depends who asks the question.
PETER:
Well then, let me rephrase it. If I kill myself, will I be a brave
or a desperate man in your eyes?
MARIO:
Mad, a combination of both.
PETER:
Can’t a normal man kill himself?
MARIO:
No. Unless he’s a Serb.
PETER:
Meaning that we Serbs are not normal?
MARIO:
You said that, not me.
PETER:
Are you pulling my leg, man?
MARIO:
No more, no less than you’re pulling mine.
PETER:
Fair. A bad question, a bad answer.
MARIO:
What about those rumpled papers down there in the corner?
PETER:
Which? Ah, there. I tried to write a farewell letter, but it wouldn’t
work, so I gave up. In fact, realized it wouldn’t make any sense.
They’d all judge you and remember you by what you’ve written,
not by what you actually were and how you lived. I’d have to write
a novel, not a letter, to pour out all that’s bugging me. That’s
why I’d rather depart without a letter, so everybody can remember
me as he likes. Why try and influence people? If I haven’t managed
so far to make people have certain notions about me, this piece
of paper won’t change anything. Just as Anna’s letter hasn’t changed
anything between us, except that it has changed us.
MARIO:
Maybe you couldn’t write it, because you couldn’t face such a
decision. ‘Cause once you write it…
PETER:
…there’s no return. Military logic. Once you make a decision,
you have to carry it out, no matter what the decision is. Just
imagine how miserable it’d be writing a farewell letter and then
giving up, revoking the decision to depart and staying in this
wretched world. Horrible!
MARIO:
You are a bit off track.
PETER:
Possibly. But let me ask you another question, this time seemingly
insane.
MARIO:
You mean, others are sane.
PETER:
You really have that big Dalmatian mouth sticking out at anybody
coming your way. Never mind, that’s why I like you, I guess. The
question is: why do people go to war in the first place?
MARIO:
Some attack, others defend themselves. Which of them is the question
aimed at?
PETER:
Those who attack, of course.
MARIO:
So the answer is: because it’s much easier and faster to seize
something from others than work hard to come by it. That’s how
it goes since the dawn of man, only methods are changing.
PETER:
But in this case, who’s seizing from whom?
MARIO:
Whoever gets a chance to.
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